The styles are divided into Dayi, Eryi, Sanyi and Yunjian.
The costumes of Beijing Opera have strong Chinese characteristics, and from the styles, audiences can identify the characters. Usually bat's, swallow's, or butterfly's' wings are painted on eyebrows, eyes and cheeks, and nose and mouth are exaggerated to portray facial expressions. The facial makeup uses a special method which emphasizes characteristics, whilst being an art form in itself, combining spiritual and artistic expression. Costumes and Makeup of Beijing Operaīeijing Opera features four main types of roles: Sheng, Dan, Jing and Chou. The History & Development of Beijing Operaīeijing Opera developed from Anhui province travelling troupes, but is popular all over China now.īecause Beijing Opera entered the Imperial Court at an early stage, its development is different from other operas in that it is required to contain a broader theme, create more character types, and at the same time, tone down the Anhui style. It was listed into Unesco Intangible Cultural Heritage of Humanity List in 2010. Audiences may hardly even notice this “changing faces” technique.With almost two-hundred-year history, Beijing Opera is one of the most influential Han operas in China, and the quintessence of Chinese culture. Since opera masks are used in representing various human emotions, the frequent on-stage change of facial expressions therefore makes the opera masks an ideal technique. Chinese opera masks are significant in a way that they represent the performers’ or characters’ personalities, intense moods, and status quo even.Įxpressive meanings through facial designsĬhinese opera mask is basically among the main methods, which performers use as makeup.
However, truth is that these masks are more than seemingly as added decorations. There may be those who perceive these masks as mere props or effects to enhance the show. However, it is evident that most audience or spectators are more fascinated with the Opera masks normally used in every opera performance.
Eventually, the performance has become a grand combination of music, literature, and art and accompanied by conventional musical instruments, such as gong, flute, and Erhu. Chinese opera essentially began from folk songs, talking, dancing, antimasque, and uniquely dialectical music in particular. Moreover, since its inception, Chinese opera has continued to evolve throughout the dynasties that went by. Historically, there can be various regional spin-offs of opera with distinctive dynastic periods as its initial root. At a certain period, this internationally renowned as China’s form of musical theater and drama has been encouraged by then court emperors and officials, and thus has become a customary art form. The Chinese opera is one of the oldest known dramatic art forms worldwide.
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